{"id":83716,"date":"2026-05-25T18:46:08","date_gmt":"2026-05-25T15:46:08","guid":{"rendered":"https:\/\/infois.ro\/?p=83716"},"modified":"2026-05-26T08:53:11","modified_gmt":"2026-05-26T05:53:11","slug":"de-la-colectia-cyberpunk-cu-ai-semnata-irina-schrotter-la-podiumuri-inspirate-de-japonia-si-estetici-post-apocaliptice-la-romanian-fashion-week-mii-de-oameni-au-admirat-show-urile-de-moda-in-parcul","status":"publish","type":"post","link":"https:\/\/infois.ro\/?p=83716","title":{"rendered":"De la colec\u021bia cyberpunk cu AI semnat\u0103 Irina Schrotter la podiumuri inspirate de Japonia \u0219i estetici post-apocaliptice, la Romanian Fashion Week. Mii de oameni au admirat show-urile de mod\u0103 \u00een parcul Palas"},"content":{"rendered":"

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Mii de oameni s-au adunat duminic\u0103, 24 mai, la Palatul Culturii \u0219i \u00een parcul Palas pentru a descoperi colec\u021biile marilor designeri rom\u00e2ni, \u00eentr-un maraton de show-uri care a transformat centrul Ia\u0219ului \u00eentr-una dintre cele mai spectaculoase scene dedicate modei contemporane europene.<\/span><\/i><\/b><\/p>\n

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Romanian Fashion Week a reprezentat anul acesta una dintre cele mai ample edi\u021bii din istoria sa, plas\u00e2nd \u00een prim-plan \u00eentreb\u0103ri despre identitate, tehnologie \u0219i felul \u00een care creativitatea poate traduce transform\u0103rile prezentului \u00een limbaj vizual. Printre proiectele care au definit edi\u021bia din acest an se num\u0103r\u0103 \u0219i noua colec\u021bie Irina Schrotter, \u201eENGRAM\u201d, un concept inspirat de universul Cyberpunk 2077 \u0219i construit \u00een jurul unei \u00eentreb\u0103ri care dep\u0103\u0219e\u0219te grani\u021bele modei: ce se \u00eent\u00e2mpl\u0103 atunci c\u00e2nd identitatea este p\u0103strat\u0103, copiat\u0103 sau reconstruit\u0103, dar nu perfect?<\/span><\/p>\n

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Parte a Romanian Creative Week (RCW), cel mai amplu eveniment dedicat industriilor creative din Uniunea European\u0103 \u0219i desf\u0103\u0219urat \u00een premier\u0103 sub \u00cenaltul Patronaj al Pre\u0219edintelui Rom\u00e2niei, Romanian Fashion Week a reunit \u00een aceast\u0103 edi\u021bie trei mari direc\u021bii curatoriale, Romanian Designers, RFW New Wave \u0219i RFW Academia, construind un dialog \u00eentre nume consacrate, educa\u021bie \u0219i noile genera\u021bii de creatori.<\/span><\/p>\n

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\u201eSec\u021biunea Romanian Designers, care \u00een mod tradi\u021bional \u00eenchide Romanian Fashion Week powered by Banca Transilvania, marcheaz\u0103 anul acesta un record de participare \u0219i aduce la Ia\u0219i una dintre cele mai consistente selec\u021bii de design rom\u00e2nesc din ultimii ani. Designerii invita\u021bi \u00ee\u0219i prezint\u0103 colec\u021biile pentru sezonul toamn\u0103\u2013iarn\u0103 2026\u20132027 \u0219i, tocmai datorit\u0103 num\u0103rului mare de participan\u021bi, am ales s\u0103 construim aceast\u0103 edi\u021bie \u00een dou\u0103 dintre cele mai emblematice spa\u021bii ale ora\u0219ului: Palatul Culturii \u0219i podiumul consacrat din parcul Palas. \u00cen total, publicul va putea descoperi peste 200 de \u021binute, \u00eentr-un parcurs care vorbe\u0219te despre maturitatea, diversitatea \u0219i for\u021ba creativ\u0103 a modei rom\u00e2ne\u0219ti contemporane<\/i><\/b>\u201d, a declarat\u00a0Ovidiu Buta, curatorul sec\u021biunii Romanian Designers<\/b>.<\/span><\/p>\n

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Colec\u021bia semnat\u0103 de Irina Schrotter porne\u0219te de la ideea de \u201eengram\u0103\u201d, concept care, \u00een universul Cyberpunk, descrie o copie digital\u0103 a con\u0219tiin\u021bei umane. Nu doar memoria este transferat\u0103, ci \u00eentregul mecanism al identit\u0103\u021bii: g\u00e2nduri, tipare de comportament, emo\u021bii \u0219i percep\u021bii transformate \u00een informa\u021bie. Pornind de aici, \u201eENGRAM\u201d imagineaz\u0103 un univers \u00een care identitatea devine arhivabil\u0103, transmisibil\u0103 \u0219i reinterpretabil\u0103.<\/span><\/p>\n

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Traseul \u00eencepe cu siluete clasice, recognoscibile \u0219i aparent familiare, forme care par ancorate \u00eentr-o memorie colectiv\u0103 a vestimenta\u021biei. Treptat \u00eens\u0103, propor\u021biile se modific\u0103, volumele devin instabile, iar detaliile \u00eencep s\u0103 alunece din locul lor firesc. Aceast\u0103 tensiune vizual\u0103 construie\u0219te ideea unei identit\u0103\u021bi conservate, dar care nu mai poate fi recuperat\u0103 integral. Asemenea unei copii digitale, piesele p\u0103streaz\u0103 urmele originalului, \u00eens\u0103 introduc devia\u021bii subtile care modific\u0103 percep\u021bia \u00eentregului.<\/span><\/p>\n

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\u201ePaleta cromatic\u0103 oscileaz\u0103 \u00eentre control \u0219i ruptur\u0103: negrul \u0219i bejul simbolizeaz\u0103 structura \u0219i mo\u0219tenirea, albastrul evoc\u0103 o sterilitate rece, tehnologic\u0103, iar ro\u0219ul apare ca un semnal al intruziunii, emo\u021biei sau coruperii sistemului. Coafurile \u00eempletite exagerat, \u00eenc\u0103rcate cu accesorii, transform\u0103 un ritual profund uman \u00eentr-un cod futurist, suger\u00e2nd identitatea ca proces simultan construit \u0219i replicat. Prin sunet \u0219i imagini generate cu ajutorul AI-ului, show-ul elimin\u0103 grani\u021ba clar\u0103 \u00eentre crea\u021bia uman\u0103 \u0219i cea artificial\u0103. ENGRAM nu prezint\u0103 tehnologia nici ca amenin\u021bare, nici ca salvare, ci ridic\u0103 o \u00eentrebare: dac\u0103 putem s\u0103 ne conserv\u0103m pe noi \u00een\u0219ine, ce anume p\u0103str\u0103m de fapt – \u0219i ce se pierde pe parcurs?<\/i><\/b>\u201d, a declarat\u00a0Ella Laz\u0103r<\/b>,\u00a0designerul brandului Irina Schrotter<\/b>.<\/span><\/p>\n

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De peste trei decenii, universul Irina Schrotter propune o direc\u021bie recognoscibil\u0103 construit\u0103 \u00een jurul sofistic\u0103rii contemporane, elegan\u021bei rafinate, detaliilor avangardiste \u0219i unei abord\u0103ri care \u00eembin\u0103 libertatea creativ\u0103 cu rigoarea execu\u021biei. Cu o experien\u021b\u0103 de peste 30 de ani \u00een industria modei \u0219i a industriilor creative, Irina Schrotter a construit unul dintre cele mai solide branduri rom\u00e2ne\u0219ti, cu infrastructur\u0103 proprie de produc\u021bie, magazine \u0219i o echip\u0103 care num\u0103r\u0103 peste 800 de angaja\u021bi, dezvolt\u00e2nd \u00een acela\u0219i timp o prezen\u021b\u0103 constant\u0103 \u00een peste 17 \u021b\u0103ri.<\/span><\/p>\n

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Brandul Irina Schrotter este, totodat\u0103, furnizor oficial al Casei Regale a Rom\u00e2niei.<\/span><\/b><\/p>\n

Sec\u021biunea Romanian Designers, curatoriat\u0103 de Ovidiu Buta, este dedicat\u0103 designerilor care au reu\u0219it s\u0103 transforme un demers creativ \u00eentr-un brand consolidat pe pia\u021ba rom\u00e2neasc\u0103 \u0219i interna\u021bional\u0103. \u00cen fiecare edi\u021bie, sunt invita\u021bi s\u0103 participe doar creatorii care \u0219i-au demonstrat continuitatea \u00een industria modei, coeren\u021ba estetic\u0103 \u0219i dorin\u021ba constant\u0103 de evolu\u021bie. Edi\u021bia din acest an a reunit unele dintre cele mai relevante nume ale scenei fashion contemporane, fiecare propun\u00e2nd o direc\u021bie estetic\u0103 distinct\u0103 \u0219i o rela\u021bie diferit\u0103 cu ideea de identitate, memorie, corp \u0219i transformare.<\/span><\/p>\n

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De la Bol Fashion Of Nature by Oana Lupa\u0219, la universul sofisticat construit de Ramona Bizbac prin materiale exclusiv naturale \u0219i accesorii realizate \u00eempreun\u0103 cu artizani rom\u00e2ni, p\u00e2n\u0103 la direc\u021biile experimentale propuse de ENTER THE CABIN, Romanian Designers a devenit anul acesta un traseu pentru unele dintre cele mai puternice voci ale modei rom\u00e2ne\u0219ti.<\/span><\/p>\n

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Ioana Ciolacu a explorat tensiunea dintre structur\u0103 \u0219i instinct prin volume arhitecturale, texturi tactile \u0219i o estetic\u0103 controlat\u0103, \u00een timp ce Tudor Hala\u021biu a prezentat \u201eThe Real Deal\u201d, colec\u021bia care marcheaz\u0103 cea mai matur\u0103 expresie a identit\u0103\u021bii construite de brandul s\u0103u.<\/span><\/p>\n

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Lenca a transformat prima c\u0103l\u0103torie \u00een Japonia \u00eentr-un jurnal vestimentar despre contrast, memorie \u0219i descoperire, iar SANN\u00c0T a propus prin \u201eAvantgardian Child\u201d o \u00eentoarcere \u00een imaginarul copil\u0103riei \u0219i al esteticii moldovene\u0219ti post-sovietice reinterpretate contemporan.<\/span><\/p>\n

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Tearless Street a construit o estetic\u0103 post-apocaliptic\u0103 a vulnerabilit\u0103\u021bii \u0219i controlului, iar Wicked33 a propus o declara\u021bie despre libertatea expresiei personale, completat\u0103 de o colaborare special\u0103 cu Mihaela Gl\u0103van. Caravasili a readus \u00een centru ideea modei ca joc, spontaneitate \u0219i celebrare.<\/span><\/p>\n

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Demersul artistic a fost completat de Scapadona, Lena Criveanu, dar \u0219i de Andrea Tincu, care a revenit cu cea mai personal\u0103 colec\u021bie de p\u00e2n\u0103 acum, construit\u0103 \u00een jurul unei noi direc\u021bii creative \u0219i a unui num\u0103r record de tipare originale dezvoltate \u00een ultimii ani.<\/span><\/p>\n

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Despre Romanian Creative Week<\/span><\/b><\/p>\n

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Romanian Creative Week, desemnat \u00een 2023, de EUIPO, drept cel mai mare eveniment al industriilor creative din Uniunea European\u0103, este organizat de Federa\u021bia Patronatelor din Industriile Creative, singura federa\u021bie patronal\u0103 reprezentativ\u0103 la nivel na\u021bional ce activeaz\u0103 \u00een sectorul industriilor creative. S-a \u00eenfiin\u021bat \u00een Ia\u0219i, \u00een august 2011. A organizat p\u00e2n\u0103 acum, direct sau prin patronatele membre, peste 100 de proiecte de promovare na\u021bional\u0103 \u0219i interna\u021bional\u0103 a industriilor creative.<\/span><\/p>\n

\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Mii de oameni s-au adunat duminic\u0103, 24 mai, la Palatul Culturii \u0219i \u00een parcul Palas… more »<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":83717,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,60],"tags":[74,18519,40,14899,15147,14289],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/infois.ro\/index.php?rest_route=\/wp\/v2\/posts\/83716"}],"collection":[{"href":"https:\/\/infois.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/infois.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/infois.ro\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/infois.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=83716"}],"version-history":[{"count":1,"href":"https:\/\/infois.ro\/index.php?rest_route=\/wp\/v2\/posts\/83716\/revisions"}],"predecessor-version":[{"id":83722,"href":"https:\/\/infois.ro\/index.php?rest_route=\/wp\/v2\/posts\/83716\/revisions\/83722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/infois.ro\/index.php?rest_route=\/wp\/v2\/media\/83717"}],"wp:attachment":[{"href":"https:\/\/infois.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=83716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/infois.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=83716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/infois.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=83716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}